Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

CHICAGO Review

CHICAGO
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CHICAGO ReviewWith the photographs and comments included in this book, Adam Broomberg and Oliver Chanarin want to show how the metastases of war invade each organic fibre of the Israeli and Palestinian societies. The book starts with the unveiling of the existence of a fake military town called Chicago built in the middle of the Negev desert where, as the authors write: "Everything that happened happened here first, in rehearsal". All wars led and to be led by Israel in the future are being practiced in Chicago. The worst is that the phenomenon of war becomes surreptitiously incrusted in the collective unconscious of Israeli people, so that it converts itself into a quasi natural occurrence in their daily life. This could be interpreted as a manifestation of estrangement, since considering war as a natural phenomenon or even as a contingency is a symptom of alienation. That may be particularly true if one realizes that the "civilian occupation" is supported by a whole theological and philosophical system. Biblical symbols such as a rock, a tree, a hill chosen to express the original suffering and resistance of the Jewish people against the Gentiles, are used as a mythical rallying point in the implantation of a new Israeli colony. As Eyal Weizman states, Broomberg and Chanarin have the great merit of having succeeded at their task of translating into an accessible language the hidden mechanisms of this war and the pernicious and long-term consequences that they have on people.CHICAGO Overview

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Terror and Wonder: Architecture in a Tumultuous Age Review

Terror and Wonder: Architecture in a Tumultuous Age
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Terror and Wonder: Architecture in a Tumultuous Age Reviewreally kamin knows his stuff . a good book on design and architecture and the new buildings planned for chicago . and the burj khalifa too in dubai has a special chapter.Terror and Wonder: Architecture in a Tumultuous Age Overview

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Chicago Architecture and Design, 1923-1993: Reconfiguration of an American Metropolis Review

Chicago Architecture and Design, 1923-1993: Reconfiguration of an American Metropolis
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Chicago Architecture and Design, 1923-1993: Reconfiguration of an American Metropolis ReviewThis is one of two books with essentially the same title. This one distinguishes itself from the other by starting the period it covers in 1923, the year of the important Chicago zoning ordinance that allowed towers of any height as long as the tower part didn't exceed 25% of the property footprint.
The first version of the other book, by Jay Pridmore and George A. Larson, was also published in 1993, and covered Chicago's architectural tradition from its beginnings in the 19th century to the year of publication. It was revised in 2005.
The present book, edited by John Zukowsky, is a compendium of essays on Chicago's architecture from the post-ordinance building boom of the '20s, just before the Depression, through the time of the major 1993 exhibition at the Art Institute of Chicago for which this book is the companion volume. The Art Institute had had a very successful prior exhibition, "Chicago Architecture, 1827 - 1922: Birth of a Metropolis," and wanted a sequel whose time bracket ended at the 100th anniversary of the 1893 Columbian Exposition in Chicago. The sequel exhibition was planned by a team of Chicago architects, prominent historians and others involved in the Chicago architecture community and, with significant grants from the National Endowment for the Arts and the National Endowment for the Humanities and various other funders, was mounted and ran from June 12 to August 29, 1993.
This volume is a key one for any student of 20th century architecture in general and Chicago architecture in particular. It talks about the buildings of the Art Deco period, the long hiatus in skyscraper building in the Depression and what went on instead of such construction, and it describes how the emigration of artists and architects from Europe before and during World War II was to affect style and structure in the post-War period. The central figure of post-War Chicago architecture (and ultimately, world architecture) was, of course, Ludwig Mies van der Rohe, an emigre whose influence on building and on two generations of architects is immeasurable. The book places major importance on the Miesian style and its derivatives and puts in context how it followed on and partook of Chicago's business/commerce-driven skyscraper culture of the late 19th and early 20th century. It also shows how and why many architects reacted to the Miesian milieu and where they took architecture in Chicago and world-wide after Mies's death in 1969.
The book is not limited to architecture, as the title implies, though the bulk of the book is so concerned. Two essays, one by Pauline Saliga, the other by Victor Margolin, ably address the developments and changes in design and graphics in the period.
A most engrossing section, done by architect Stanley Tigerman, "Chicago Architects: Genealogy and Exegesis," is a time-lined family tree of Chicago architects and architectural firms and how they were or are associated. You have to study it carefully to follow it, but the study is worth it and the connections are remarkable.
The essays are by turn historical, evaluative, and reflective and are well written and very well illustrated, with inter-textual figures both of plans and buildings and with multiple color plates, along with some dramatic aerial photos of the city and two of the most elegant photos of railroad locomotives you will ever see. Though written by specialists in the field, the book is addressed to the casual interested reader as well as to knowledgeable architecture fans and practitioners.
If architecture is your passion, or even if it's just a strong interest, this book is one that you need in your personal library. If you don't live in Chicago or haven't been to Chicago, you still need it. Read it. Then come to Chicago and take some tours.Chicago Architecture and Design, 1923-1993: Reconfiguration of an American Metropolis Overview

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Paris: Photographs from a Time That Was (Art Institute of Chicago) Review

Paris: Photographs from a Time That Was (Art Institute of Chicago)
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Paris: Photographs from a Time That Was (Art Institute of Chicago) ReviewA very well-selected sampling of a century's worth (1850s-1950s) of black and white photos of Paris. Everyone is represented here, from Atget to Stieglitz to Man Ray to Cartier-Bresson to Irving Penn to Robert Frank, and many others.
The photos include dramatic shots of familiar scenes and many photos of ordinary and un-ordinary Parisians going about their lives. Obviously, they run the gamut from the glass plate negative era to the Leica 35 mm and the styles vary widely. Some are very formal, posed affairs, some are "decisive moment" snapshots, and many are that ambiguous middle, seemingly candid shots but in reality staged and scripted by the photographer. The introductory essay is a little bit "artsy," but it's well worth reading. It discusses all the photographers, describes how they worked, and is very useful in understanding what you're seeing.If you have any interest in the Paris that was, you won't be disappointed.Paris: Photographs from a Time That Was (Art Institute of Chicago) Overview

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Chicago from the River Review

Chicago from the River
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Chicago from the River ReviewImagine yourself lazily drifting down a placid river on a perfect summer afternoon, flanked on both sides by towering monuments erected by the architechtural geniuses of the ninteenth and twentieth centuries, their long shadows passing over you like the ghosts of the men themselves who labored over the planning, design, building, and occupation of these priceless pieces of history.
The sounds of the City surround you and the voice of your guide is almost an aria illuminating the stories behind the breathtaking views of some of the greatest architectural accomplishments of our time in the greatest city of all time...Chicago, Illinois.
Ms.Lindsay's knowlege and enthusiasm, not only of the architechtural importance of the buildings that line Chicago's famous River, but also for the nuances of their unique stories, their histories, and the personalities of the men who created them is contageous. Before you realize it, you are a convert to the wonder of this place and the energies and drives that built it up on the praire.
Ms. Lindsay captures the experience in "Chicago on the River", through breathtaking photographs which she took over the course of the thousands of trips she has made from the mouth of the River to the south end of the city and back, while illulminating and entertaining many many thousands and bringing to them her appreciation for this unique viewpoint.
Read the book and then take the tour...experience the world's greatest city from a truly unique point of view!Chicago from the River Overview

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South Of Chicago: Suburbs, Steel Mills, Shoreline Review

South Of Chicago: Suburbs, Steel Mills, Shoreline
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South Of Chicago: Suburbs, Steel Mills, Shoreline ReviewThis was absolutely excellent. Before 1998, I was unfamiliar with the south suburbs but they've been a part of my life ever since. As a non-native Chicagoan, this documentary filled in innumerable gaps in my knowledge. Furthermore, Mr. Baer is an enthusiastic and skilled narrator. All of it this was very informative for me. For example, the initial segment on Gary was eye-opening. I hate to say it but I did not know that US Steel was still going strong here nor did I know the history of Elbert Gary. The plan for the Gary school in particular was riveting and no doubt we'd be better off if we had them today (without the junior college element of course). The Indiana aspect of this film will no doubt educate many Chicagoans who give short shrift to the beautiful state to our east.
As the movie segues into South Chicago it enlightens further. The 573 acre post-steel mill neighborhood that is being planned makes one long for some serious economic recovery! Such a development would benefit the city massively. The richness of the south's history is sometimes forgotten due to its current economic woes. Honestly, I've driven on the Bishop Ford a million times but never knew the guy was. Fascinating. I worked in Blue Island for 6 years and it was good to actually hear its history. Overall, this documentary was superb and I ardently recommend it.South Of Chicago: Suburbs, Steel Mills, Shoreline Overview

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Marshall Field's (A Building Book) Review

Marshall Field's (A Building Book)
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Marshall Field's (A Building Book) ReviewThis is a SMALL book with SMALL print. I should have paid closer attention when I ordered it. I wish there had been more vintage pictures. Of course, I love to read anything about the late great Marshall Fields department store of which I have so many happy memories from childhood. There will never be anything else like it and I'm glad I can remember it so well. Shame on Macy's!!Marshall Field's (A Building Book) Overview

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The Chicago Auditorium Building: Adler and Sullivan's Architecture and the City (Chicago Architecture and Urbanism) Review

The Chicago Auditorium Building: Adler and Sullivan's Architecture and the City (Chicago Architecture and Urbanism)
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The Chicago Auditorium Building: Adler and Sullivan's Architecture and the City (Chicago Architecture and Urbanism) ReviewI just finished reading this extraordinary book (Dec 2010) , and can't believe I have not seen anybody write anything about in the Amazon reviews ; I run to it all by accident as I was trying to find out about possible connections between Frank Llowd Wright and the events in Chicago during the late 1880's , and how come main architectural historians I had been aware off had avoided refering to these aspects that shaped the city's architecture during these years. And I was extremely enlightened by a particular footnote and reference to John Edelmann,which sent me back to read again my readings of forty years ago on Louis Sullivan, actually re-reading his "The Autobiography of an Idea", and search further characters and people that might have had some influence on his "social order" enlightment,besides other issues; This book proved to be a treasor, not only of extraordinary research pertaining to one particularly great building, about which so much has been "silenced" over the years by main stream architectural historians, but also a treasor regarding the subject nobody seems to talk about,what I believe to have been a latent "anarchic" ingredient in great architects such as Louis Sullivan and Frank Lloyd Wrigh,both of which I consider to possess a "creative anarchist's"ingredient, in the same manner as that of Alvar Aalto about which Goran Schildt wrote in his Aalto biography. The book in concern here, has no direct discussion on these issues with reference to Sullivan or Wright (parenthtically), but there is substantial discussion pertaining to how the social-anarchic movements in Chicago, played a role in the making of the Auditorium building, particular architecture, particuluarly through Siry's very clear discussion and facts of the Germanic immigrant community, their struggles and ideas as well as the spaces they gothered, which eventually lead to the Auditorium as an antidote and advancement over them , a mediator and agent of brinking culture to a wider audience, an agent of peace with an eye to prosperity, all this a vision of the intuitive client Ferdinand Peck, and those two intuitive and great architects . A great book, deeply researched and meticulously documented, with in depth information at many levels, extraordinary photography and rare visual evidence from "period" sources, unique layout and Joyful to read as it has simple and clear writing, devoid of the esoteric and occasionally incomprehensible language of many academic writers, particularly of many Europeans. This is not a "coffee table book", but a deeply serious and yet very joyful book ;
A really great Book !
Anthony C.Antoniades,AIA
Former Professor of Architecture UTA
p.s I Had visited Chicago and the Building twice but this is the first time I can say, I really know the buildingThe Chicago Auditorium Building: Adler and Sullivan's Architecture and the City (Chicago Architecture and Urbanism) Overview

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Forever Open, Clear, and Free: The Struggle for Chicago's Lakefront Review

Forever Open, Clear, and Free: The Struggle for Chicago's Lakefront
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Forever Open, Clear, and Free: The Struggle for Chicago's Lakefront ReviewHere is the story the subtitle suggests: Chicagoans gradually realized that the lands fronting Lake Michigan were more than mere wastelands to be utilized variously by industrialists and conventioneers, and this realization led citizens from A. Montgomery Ward down to the plainest of the plain to do battle with a series of regimes which seemed to have a very odd construction of the phrase, from the city charter, "forever open, free and clear". It is the people, not the government of Chicago, whom we should thank that parts of Grant, Jackson, and Lincoln Parks are still "open, free and clear".
Beyond her immediate theme, however, Lois Wille has written an excellent concise introduction to the history of Chicago, which will especially appeal to those who approach history from the viewpoint of non-conformism. And in a city like Chicago, you're either part of the Machine or a non-conformist.
Lois Wille was a colleague of Mike Royko, all the way from the Chicago Daily News days. She has all of his creativity and productive skepticism, and, in her own way, did just as much to worry and afflict the destructive establishmentarians who by fair means and foul seem to wind up governing the City of Chicago.Forever Open, Clear, and Free: The Struggle for Chicago's Lakefront Overview

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Sears Tower: A Building Book from the Chicago Architecture Foundation Review

Sears Tower: A Building Book from the Chicago Architecture Foundation
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Sears Tower: A Building Book from the Chicago Architecture Foundation ReviewAs an occupant of Sears Tower, I find that Pridmore provides an easily-understandable overview of Sears Tower with an especially good focus on how the building was conceived and developed, with dozens of color pictures. There are also a few pictures of the Tower's offices, including Sears Roebuck's old offices, though the offices are mysteriously devoid of human inhabitation. Too often people think that towers like Sears are built by Cities wanting to be boastful rather than private enterprise seeking profits, and in that sense Pridmore tells the story of the tower very well except the sterile interior pictures. He also avoids the cliches like how many toilets are in the Tower.
I have only seen one good discussion of the daily life in a skyscraper, and this is not it. (See the Feb '89 National Geographic if interested.) Pridmore's discussion of the Tower post-construction is limited to discussing renovations and neglects other aspects that my friends usually find much more interesting. For instance, Tower occupants often see amazing sunsets--that is, when the upper floors aren't enshrouded in clouds. Some Tower occupants become motion-sick when the building sways and creaks in windstorms--also not discussed. A man can punch the windows with his fist but they will not break. (I've seen it tried--but don't you try it.) Finally, rumor is that although Sears Roebuck lost its ownership of the Tower a decade ago, they still own the giant Calder sculptures and mobile on the Wacker side. Sears was unable to move the artwork when they left, and because they are screwed in place, the artwork is not technically part of the building.Sears Tower: A Building Book from the Chicago Architecture Foundation Overview

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Peripheral Visions: Publics, Power, and Performance in Yemen (Chicago Studies in Practices of Meaning) Review

Peripheral Visions: Publics, Power, and Performance in Yemen (Chicago Studies in Practices of Meaning)
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Peripheral Visions: Publics, Power, and Performance in Yemen (Chicago Studies in Practices of Meaning) ReviewWhen we do democracy, we do it with a ballot. The United States has been shipping ballot boxes all over the known world for, conservatively, sixty years. The official line holds that, barring strategic exceptions, everybody across this wide globe benefits from the dignity proffered by suffrage, and furthermore, after ballots are counted, the food, water, electricity, education and piety will follow in a timely way. In Peripheral Visions, Lisa Wedeen complicates this vision of democracy by showing how voting only emerges as an appropriate and relevant aspect of human dignity given a constellation of other institutional, cultural, and discursive preconditions.
Peripheral Visions` contribution to the long conversation of political science flows from a careful study of Yemeni democratic practices. Yemen's academic import stems from its situation as a weak state, a vague nation summoned into being, as a nation, on the strength of a series of ethnic poems and intermittent profusions of oil money. To be sure, a fledgling nation could do worse than being held together by a song and a well, but the situation remains that the duties commonly ascribed to government--'enforcing contracts, keeping the peace, and deliberating public affairs--'are taken up and executed with mixed success not by the duly elected officials, but by a well-armed populus, such that performing dry procedurals like casting a ballot seems only tangentially tied, late and perfunctory, to the quality of practices of the Yemeni citizen's day-to-day life.
"Regimes that do not fulfill the conditions of a "minimal state"(Nozick 1974) by exercising enough control over violence that citizens feel protected "whether they like it or not" (Gambetta 1993, 7) may end up being more "democratic"'more encouraging of civic associations, vibrant political debate, and substantive thinking about politics'than regimes with efficacious state institutions and/or passionate attachments to a nation."
Wedeen begins her treatment of Yemen by setting out a recipe for cooking up a nation from hazily defined mixed parts. "Yemen" is comprised of overlaying loyalties, a malleable "tribal" system, opposing conceptions of piety, transnational economic entanglements and local concerns, none of which are fixed such that, "What makes a Yemeni a Yemeni?" is a live question, and one Wedeen addresses as a "vehicle for exploring the dynamics of political identification in general." In her recipe for nationalism, she borrows and critiques Benedict Anderson's view of how a national press motivates a sense of nationhood, the newspaper affirms a sense of solidarity by placing on one paper the events of disparate cities; in addition, Wedeen gestures towards Moishe Postone's work on how a standardized conception of time, a time emancipated from the occurrence of one's particular event, can serve as a tableau for a broad sense of simultaneity amongst multiple events.
Once the ingredients are gathered, Wedeen plunges into a brief and spirited history of the phenomenon of Yemen in order to flesh out her stronger theory-based conjectures. For example, Wedeen argues that the nascent country's nakedly corrupt election in 1999 by `Ali `Abd Allah Salih contributed to a sense of nationality by investing the new nation in the process, then showing how convincingly the process could be subverted by a partisan regime. Promoting nationalism through corrupt elections seems counter-intuitive, unless one is from Chicago, a city as proud of its architecture as it is of its indefatigably corrupt political machinery. Nothing so binds a people together than the feeling that they have been/are being summarily hosed, as one people, by a regime. Wedeen also talks of the weak state's inability to apprehend a serial killer as a matter of nation building, again, as the people deliberated publicly on the failure of the state to execute its duties, the people were speaking the voice of disaffected Yemenies, but Yemenies all the same.
Wedeen spends her most courageous chapter portraying a vibrant expression of civic culture, dialogue and deliberation organized around qat chewing. Qat, a mild stimulant whose pharmaceutical qualities seem closer to coffee or cigarettes than to methapmetamine, provides a political site for debate. Group qat chews are performed with varying levels of formality, but the talking points enumerated in these qat chews find their way into popular media and public policy. The efficacy of performing well in a qat chew opens up a viable issue for democratic theorists, which is, if Yemen is a democracy, affording power and dignity to citizens by virtue of their performance of public acts, and the most meaningful act these citizens perform, within the organization of their civic institutions, is speaking eloquently at a qat chew rather than voting, then Wedeen is providing a clarion call for all theorists who set democracy equal to elections because her depiction of Yemen's vibrant civic culture portrays a nation that is democratic in spite of their electoral system, not because of it. "In short, democrats can exist without procedural democracy. Democracy (in substantive representational terms) may not even need a ballot box."
Wedeen then ends her treatment of Yemen with a discussion of such ticklish terms as "tribalism," "nationalism," and "piety" with the take home lesson being that before we pronounce any one polity a democracy, one must appreciate the interrelation of particular civic practices and not unduly import standards, such as the existence of a ballot, as both necessary and sufficient for the existence of democracy. When Americans do democracy, we do it with a ballot. The practice and discourse surrounding voting forms and affirms our conception of democratic public life, but Wedeen's exploration of Yemen's civic ethic opens up the possibility that other organized sets of practices can gestalt into an equally vibrant, responsive, and dignified public culture, and if such cultures are not designated properly democratic, it is because of the narrowly impoverished democratic discourse rampant in modern minimalist democratic theory, rather than a manifest poverty of civic performance on the part of these otherly political, vibrant, and engaged citizens.Peripheral Visions: Publics, Power, and Performance in Yemen (Chicago Studies in Practices of Meaning) Overview

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From Cottage to Bungalow: Houses and the Working Class in Metropolitan Chicago, 1869-1929 (Chicago Architecture and Urbanism) Review

From Cottage to Bungalow: Houses and the Working Class in Metropolitan Chicago, 1869-1929 (Chicago Architecture and Urbanism)
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From Cottage to Bungalow: Houses and the Working Class in Metropolitan Chicago, 1869-1929 (Chicago Architecture and Urbanism) ReviewThis book steps inside the modest bungalows of ethnic blue-collar workers in greater Chicago at the turn of the century. It examines the bungalow as a housing form that evolved from multiple influences, and considers the meanings that consumers constructed around their homes. A must read for folks who want to understand how ordinary people lived, and how Home, Sweet Home became part of every immigrant family's version of the American Dream.From Cottage to Bungalow: Houses and the Working Class in Metropolitan Chicago, 1869-1929 (Chicago Architecture and Urbanism) Overview

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University of Chicago: The Campus Guide Review

University of Chicago: The Campus Guide
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University of Chicago: The Campus Guide ReviewPrinceton Architectural Press has finally produced a volume in this series up to the standards we expect from them. Past volumes have been plagued with problems: Lack of historical context, pompous and politically correct archispeak, mundane or incomplete photography, overemphasis of unrealized campus plans and lack of complete coverage. This iteration eliminates those problems and brings us a truly lovely survey of a beautiful university, with exceptional aerial and interior photography, insightful essays (without being written in "art-catalog arcane"), complete coverage of the grounds and neighborhood and an appropriate level of historical context. Lets hope that the series continues at this more rigorous standard.University of Chicago: The Campus Guide Overview

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Prairie Metropolis: Chicago and the Birth of a New American Home Review

Prairie Metropolis: Chicago and the Birth of a New American Home
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Prairie Metropolis: Chicago and the Birth of a New American Home ReviewThe photos and the short text fill in the gaps of the "Prairie School" in Chicago. For the student, it further emphasizes the "other" architects of the movement beyond FLLW. Some photos you may have seen before, others were new to me. Both exterior and interior, with rich prairie details. This book is a good compliment to "The Prairie School", by H. Allen Brooks, which has much more text (and drawings, too) to explain the architects who made the style what we know today.
A good add to your library as long as you do not pay full price.Prairie Metropolis: Chicago and the Birth of a New American Home Overview

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Chicago: A Picture Book To Remember Her By Review

Chicago: A Picture Book To Remember Her By
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Chicago: A Picture Book To Remember Her By ReviewTed Smart's series of photo journey's are the best I have seen. What set's it apart is the concentration on great, scenic pictures of the area. I have had the pleasure of viewing several of his series, and this one on Chicago is the best.Chicago: A Picture Book To Remember Her By Overview

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Chicago In and Around the Loop : Walking Tours of Architecture and History Review

Chicago In and Around the Loop : Walking Tours of Architecture and History
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Chicago In and Around the Loop : Walking Tours of Architecture and History ReviewAn excellent set of tours of all neighborhoods of downtown Chicago, profusely illustrated with contemporary and archival photos, with a lively and user-friendly text. Especially helpful for the first-time visitor, although I understand it has been adopted by the Chicago Architecture Foundation as a guide to train its docents who give walking tours. I have not come across any better guide to the Loop and its surroundings, with a crisp style and useful historical facts. Dr. Gareth Shellman (shellman@csd.uwm.edu) Milwaukee, Wisconsin, USAChicago In and Around the Loop : Walking Tours of Architecture and History Overview

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Masterpieces of Chicago Architecture Review

Masterpieces of Chicago Architecture
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Masterpieces of Chicago Architecture ReviewIf you are visiting Chicago an el ride around the Loop will transport you through 100 years of architectural history in about 20 minutes. Chicago is a living architecture museum always in flux; new buildings are added to the skyline, old ones re-imagined and re-used, whole neighborhoods rising from decades of urban decay. Daniel Burnham, Frank Lloyd Wright, and Mies Van der Rohe all left their imprint on the city and contemporary masters such as Helmut Jahn, Frank Geary, and Rem Koolhaas, are shaping the Chicago of today.
For those attracted to architecture Masterpieces of Chicago Architecture is another tour de force from Rizzoli. Masterpieces of Chicago Architecture presents the first 100 vibrant years of built and un-built projects by the masters and their disciples. Generously illustrated with more than 200 photos, illustrations, models, and plans, from the collection of the Art Institute of Chicago. The authors and curators of Architecture at the Art Institute of Chicago add thoughtful commentary and unique insights on the city to bring the past, present and future together in one glorious package. Chicago is the leading force in American building trends and to understand where Chicago is going is to understand something about the future.Masterpieces of Chicago Architecture Overview

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Chicago: Mini Review

Chicago: Mini
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Chicago: Mini ReviewThis is a great little book of photographs of Chicago. I bought several to give visitors to the city, and they were very well-received. High quality pictures and a convenient size for travel.Chicago: Mini Overview

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Chicago Architecture: 1885 to Today (Universe Architecture Series) Review

Chicago Architecture: 1885 to Today (Universe Architecture Series)
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Chicago Architecture: 1885 to Today (Universe Architecture Series) ReviewAs befits the author, this is a highly intelligent way to approach a topic as vast as the architecture of the city of Chicago. Even the terrific two-volume set from the two massive Art Institute of Chicago shows are insufficient to cover all of the ground - so no sense in trying that again. Another approach is that taken by the AIA Guide to Chicago (full disclosure: I wrote one of the feature building essays), which attempts to cover the ground on a highlights-by-subregion approach. That fact-stuffed "Guide Vert" for Chicago architecture is especially useful if you have the time to walk around.
But what of the visitor to our city who understands right away that this is a special place in the history of world architecture, but doesn't have time to take it all in? That's where Mr. Keegan's book is spot-on. By focusing on a broad range of buildings, typologically, chronologically and geographically, from great and some not-quite-great architects, Keegan's book delivers a solid feel for the landscape, some good and insightful discussions, and a path forward for whatever additional investigations you might want.
If your Aunt Edna is coming to Chicago from Nebraska, she's heard about our architecture on Oprah, on PBS or wherever, and she's interested, buy this one for her first. When she gets here, she may want to add the AIA Guide but by then she'll have a better feel for what she might want to see here.
If your nephew, Demetrius, is thinking about studying architecture, has heard Chicago has some great buildings, and wants to know what all the fuss is about, buy this one for him first, too. The combination of illustrations and text will get him enough into specifics that he'll understand why we have an architourism industry here - plus he'll understand why Chicago is the best city in the world to be a PRACTICING architect in. A book like this exists because people here get it. Keegan's book isn't a rah-rah - it shows clearly why Chicagoans have good reason to be proud of our architecture, and our architects.
If your Cousin Alberto is visiting from Italy, he's a cultured guy who understands architecture generally and wants to see some of the greats while he's here, buy it for him, too. This book is great because of what it has PLUS it offers a structure that you can use to burrow deeper into whatever interests you the most.Chicago Architecture: 1885 to Today (Universe Architecture Series) Overview

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Chicago churches: A photographic essay Review

Chicago churches: A photographic essay
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Chicago churches: A photographic essay ReviewGreat photographs are herein presented of 100 Chicago-area churches. A must-see, must-have for any Chicagoan--for any Midwesterner, for that matter. The cross section includes the "bold and beautiful" as well as the "plain and ordinary" and the store-front church. The book is not limited to Christian churches, but features worship sites of other faiths as well.Chicago churches: A photographic essay Overview

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