Showing posts with label race. Show all posts
Showing posts with label race. Show all posts

Fire on the Prairie: Chicago's Harold Washington and the Politics of Race Review

Fire on the Prairie: Chicago's Harold Washington and the Politics of Race
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Fire on the Prairie: Chicago's Harold Washington and the Politics of Race ReviewFIRE ON THE PRAIRE is a good example of why the American reading public's narrow focus on national politics is so unfortunate. There are thousands of political stories in the cities, counties and states of America that are never told because the presumed target audience is too small. Thankfully, Gary Rivlin decided to tell the story of Harold Washington, Chicago's first black mayor.
The book will appeal to anyone interested in politics, even if Chicago is of no particular interest. City-level politics is politics at its most raw. This story, set in the 1980's, features (literally) brawling aldermen, overtly race-based electoral appeals, bribery, graft and other interesting forms of corruption, and the more creative bad-mouthing that we'll likely ever hear on the national stage. The cast of characters - real political figures - read like they walked out of central casting. The impervious, heroic Mayor Washington, the nefarious but canny Ed Vrdolyak, the bumbling Jane Byrne, the barbaric Ed Burke, the big-talking con man Clarence McClaine, the ego-maniacal Jesse Jackson and on and on.
An unusual feature of this book is that while Washington is the central character, the book is almost not about him so much as Chicago politics in the 1980s. A third of the book devotees equal time to Washington and his arch-nemesis, Vrdolyak. Indeed, the Vrdolyak is painted with greater depth and may actually be quoted more than Washington. Washington comes off as pretty much impervious to corruption, pettiness, and most of the regular dynamics of Chicago politics - but he also comes off as inaccessible. The book plunges immediately into the political story without the customary 80 pages devoted to the central subject's early life. Rivlin never writes, "Washington thought..." nor does he report on conversations that occurred between two people, neither of whom subsequently spoke with Rivlin. The overall effect is double-edged - the story comes off as more credible but also Washington himself is left as something of a mystery.
A more serious problem with the book is that its fascinating emphasis on pure politics comes at the neglect of an in-depth exploration of Washington's policies. Policies are certainly mentioned, but I retained more about how Washington made a difference in the life of his city from an hour-long radio show on him that from this 420-page book.
The absence might be explained by what Rivlin explains is the difference between "white reform" and "black reform." Rivlin basically explains that white reformers are more concerned with process, where as black reformers are more concerned with results. White reformers may decry cronyism and call for the elimination of patronage jobs. Black reformers call for a more proportional share of the jobs. FIRE ON THE PRAIRE is written with a greater sympathy for what Rivlin would characterize as the black style of reform. The overarching point of the book was that Chicago's racial divisions were so great that residents (especially white residents) voted with their ethnicity against all considerations including logic and self-interest.
Washington's second term was cut tragically short by his untimely death.Rivlin does a great job of creating the sense of unfinished business as he continues the story of Chicago's political turmoil for 20 pages after Washington's death, until a new, interim mayor was elected. At that point I wanted to keep reading, but I also wanted to know what Washington was going to do next. Unfortunately we'll never know.Fire on the Prairie: Chicago's Harold Washington and the Politics of Race Overview

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The Muse in Bronzeville: African American Creative Expression in Chicago, 1932-1950 Review

The Muse in Bronzeville: African American Creative Expression in Chicago, 1932-1950
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The Muse in Bronzeville: African American Creative Expression in Chicago, 1932-1950 ReviewI'm only 55 pages into this book, but I've already gotten my money's worth.
As a born and bred Chicago artist/writer/recovering adman,I think I'm a pretty tough critic. But the depth of scholarship and information here fills in many gaps. The stuff I'm reading about the role that Julius Rosenwald, Book T. Washington, Robert Park and their "minion" played in both the Harlem and Chicago Renaissance is a revelation.
My own book, "African Americans in Chicago" is being released today. It is one of Arcadia Publishing's Images of America series. Arcadia is the biggest publisher of local pictorial history books in America.
Although my book is aimed at a mass audience, I appreciate the work of real historians like the late professor Bone and his still very alive student and collegue, Courage - and such Chicago-based scholars as Christopher R. Reed, Robert Starks and others. I plan to use their work as the foundation for mine - and hopefully bring them to a wider audience. I see it as a win, win, win situation. I win, the professors win, and the wider public wins.
And that's the only reason why I stopped at 4 stars. I think book would have been helped a few more images.
BTW: But, then again, maybe I'm biased.The Muse in Bronzeville: African American Creative Expression in Chicago, 1932-1950 Overview

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White on Arrival: Italians, Race, Color, and Power in Chicago, 1890-1945 Review

White on Arrival: Italians, Race, Color, and Power in Chicago, 1890-1945
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White on Arrival: Italians, Race, Color, and Power in Chicago, 1890-1945 ReviewThis is one of the best books I've read this year. Written in a lively and engaging manner, this book powerfully documents how immigrants have experienced and lived race in the US. With chapters on gangsters, race riots, fascism, tensions over public housing, labor unions, and international relations, this book is FILLED with riveting stories that force the reader to consider the role of everyday working-class folks in perpetuating and challenging white supremacy. The author's goal is to make us think critically about how we have arrived at our contemporary reality -- where race structures so much of our daily lives -- by examining how the descendents of impoverished and often marginalized European immigrants have played a role in keeping that structure in place. This is an incredible book!! I recommend it to anyone who loves a good story, but also to those who are looking for historical background to current debates over affirmative action, reparations, and anti-racist collective action.... and anyone who wants some factual info to support your arguments with family & friends who insist that "we" (meaning "white ethnics") had is "as bad" as "them" (people of color). This author finally lays this argument to rest once and for all (thankfully) by showing how the color line ensured that Italians had a leg up, and that their "whiteness" became their most valuable asset in a country so deeply defined by race.White on Arrival: Italians, Race, Color, and Power in Chicago, 1890-1945 Overview

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African Americans in Chicago (Images of America) Review

African Americans in Chicago (Images of America)
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African Americans in Chicago (Images of America) ReviewI received by book yesterday and immediate sat down to read it. What a wonderful review of black life in segregated Chicago. The many pictures are great memories of schools, business, family and social life in the city. As a genealogists researching several ancestors who migrated in Chicago at the turn the century, I even found the location of the home of the Faternal Knights of Pythias. I had been searching for that location for many years. The author has done a wonderful job with the photos and memories. I have already referred this book to several of my friends.African Americans in Chicago (Images of America) Overview

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