Showing posts with label norway. Show all posts
Showing posts with label norway. Show all posts

A Century of Urban Life: The Norwegians in Chicago Before 1930 Review

A Century of Urban Life: The Norwegians in Chicago Before 1930
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A Century of Urban Life: The Norwegians in Chicago Before 1930 ReviewThis book is an excellent resource especially if you had Norwegian relatives in Chicago during this time. The book covers information about different Norwegian neighborhoods, including maps, pictures, and information about churches, and social clubs. I used this book to research more about my geneology. Very interesting historical information.A Century of Urban Life: The Norwegians in Chicago Before 1930 Overview

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Fiddling for Norway: Revival and Identity (Chicago Studies in Ethnomusicology) Review

Fiddling for Norway: Revival and Identity (Chicago Studies in Ethnomusicology)
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Fiddling for Norway: Revival and Identity (Chicago Studies in Ethnomusicology) ReviewI've played banjo since 1970 and have been through various arguments, discussions and internecine strife between preservationists (of whatever musical stripe) and folks who just want to play music and not argue about it. Fiddling for Norway is the history of how this same attitude happened in Norway. They've had organized fiddle associations to preserve music for a century. And they have two different kinds of fiddles to fight over, as well as three types of music and a desire to honor local traditions. Anyone interested in the problems of preservation and organization (whether musical, religious or whatever) can add this book to his or her library.
The book is somewhat academic but is not dryly written by any means. Goertzen is an American so he's looking at it from the outside and he spends some time describing the situations he finds himself in. He also analyzes the musical styles and examined the history of various controversies through publications. Very well-researched yet still easy-to-read. My favorite quote is when someone suggested gamaldans music is just as valid as the solo fiddle music that apparently arose from wood sprites and waterfalls. The president of the national fiddle association (in 1981) said keeping the styles separate is more a matter of keeping snot off of facial hair. If you've ever run into that attitude in a music association of any stripe, this book will put it in more of a sociological perspective.
It was worth reading and there is a section of sheet music at the end for any fiddler who wishes to try some of the music.Fiddling for Norway: Revival and Identity (Chicago Studies in Ethnomusicology) Overview

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Becoming Edvard Munch: Influence, Anxiety, and Myth (Art Institute of Chicago) Review

Becoming Edvard Munch: Influence, Anxiety, and Myth (Art Institute of Chicago)
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Becoming Edvard Munch: Influence, Anxiety, and Myth (Art Institute of Chicago) ReviewThe catalogue for an exhibition held until april 2009 at the Art Institute in Chicago, this book is an interesting study that tries to debunk the myth surrounding the Norwegian painter Edvard Munch. Far from being the reclusive and emotionally unstable artist that history has made out of him, he actually revealed a keen sense of the world that surrounded him, and especially of the art world. The authors of the book emphasize the fact that Munch, contrary to what he wanted the public to believe, was the subject of many influences, whether by Van Gogh, Gauguin, Ensor, Whistler, Klinger, and many more. Several chapters strive to explain the real Munch, in his relationship to the artists who were his contemporaries, in his attitude towards the market and in the way he succeeded in creating a myth around himself and his art.
The illustrations are numerous, almost all of them in color, however, very few are full-page and there are almost no close-ups. Therefore, only 4 stars instead of 5...Becoming Edvard Munch: Influence, Anxiety, and Myth (Art Institute of Chicago) Overview

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