Sexual Nature/Sexual Culture (The Chicago Series on Sexuality, History, and Society) Review

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Sexual Nature/Sexual Culture (The Chicago Series on Sexuality, History, and Society) ReviewThis book reads as a college book or as a reference book. If you really want to explore the human sexual nature within and unbias point of view, then this book is for you. If you are looking for an easy read, a page turner, or an erotica book then this not the book.
Personally, I have enjoyed the book and it have explained the reason for many human behavioral questions that I had. So, if you are an inquisitive person go for it!Sexual Nature/Sexual Culture (The Chicago Series on Sexuality, History, and Society) Overview

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Caribbean Pleasure Industry: Tourism, Sexuality, and AIDS in the Dominican Republic (Worlds of Desire: The Chicago Series on Sexuality, Gender, and Culture) Review

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Caribbean Pleasure Industry: Tourism, Sexuality, and AIDS in the Dominican Republic (Worlds of Desire: The Chicago Series on Sexuality, Gender, and Culture) ReviewMost studies of sex tourism focus on female sex workers with foreign male clients. Even some studies look at men involved in sex work with foreign women. This book tries to fill in a gap by discussing Dominican men who sell sex to foreign male tourists. This book tries to break a rigid hetero/homo dichotomy by showing the many men who engage in hustling but with no desire for other males.
There is a rare but excellent anthology called "Caribbean Masculinities" and the author's contribution is reprinted here. Really, I hope this book is a sign that the author got tenure somewhere. The info in this book is similar to another study about "pingueros" in Cuba. Those who saw the French-language film "Vers le Sur" may also enjoy this.
The book NEVER mentions "the down-low" and this is understandable as the study takes place outside the United States. Nevertheless, for those interested in reading about Black men who get busy with men on the hush-hush, they'll want to read this book. The interviewees here never suggest that kicking it with men means they don't have women at home and desire women all the time. There's a lot of "don't ask, don't tell" here too. Relatives of these men don't question how men who are penniless on Friday afternoon can now pay the rent on Monday morning. There's also machismo here where women are conditioned not to question their male partners and these male sex workers can lie about getting with women when they are actually selling to men.
Let me mention the most important comment to me in this book: "[The Zona Colonial] also stands as the most vivid symbol of what has been described as a kind of Dominican "hispanophilia"--an exaggerated identification with all things of Spanish origin, and a simultaneous denial (and repression) of the African cultural influences on contemporary Dominican society" (81). A whole mess of books and word-of-mouth mention how Dominicans go out of their ways to downplay or deny being Black. While the author brings this up only once, I really wish he would have spoken about race more. He dances around it as many people in that nation do. A student could write an awesome paper comparing this book and "What's Love Got to Do with It?" and they will note how the latter is explicit about Blackness when the former plays into the denial.
Sometimes the book felt long-winded. However, this was not another anthropological text in which a writer just recalls, "First I did this, then I did that." This was an informative book about Black bisexuality in a transnational context.Caribbean Pleasure Industry: Tourism, Sexuality, and AIDS in the Dominican Republic (Worlds of Desire: The Chicago Series on Sexuality, Gender, and Culture) Overview

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Music and Gender: Perspectives from the Mediterranean (Chicago Studies in Ethnomusicology) Review

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Music and Gender: Perspectives from the Mediterranean (Chicago Studies in Ethnomusicology) ReviewThis compilation of case studies from different regions around the Mediterranean is packed with concise, but extremely well-written and informative, analyses of the specific interactions between genders and social spheres in the context of the playing/performing of music and/or dance. Excellent resource for anyone interested in issues of cultural performance, gender identity, and music and dance in North Africa, the Middle East, the Balkans, and southern Europe.
What's more, the various authors all read remarkably smoothly and this makes the information in ths volume all the more accessible. 2 very enthusiastic thumbs up!Music and Gender: Perspectives from the Mediterranean (Chicago Studies in Ethnomusicology) Overview

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The Chicago Black Renaissance and Women's Activism Review

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The Chicago Black Renaissance and Women's Activism ReviewThe Chicago Black Renaissance was a revitalization of black expressive arts and community activism rooted in a pan-African identity which blossomed during the 1930's to the 1960's in Chicago's "Black Belt" - or, as residents preferred, "Bronzeville." It was also a tumultuous period in which longtime urban black Chicagoans were faced with assimilating thousands of rural migrants from the South.
The lens through which Knupfer examines the Renaissance is women's activism: as club members and individuals, as reformers of schools and libraries, builders of art and community centers, ministers, writers, politicians and more. They were highly successful in some areas; for example, the nation's oldest WPA arts center, South Side Community Art Center, continues to offer classes and host exhibitions, while the "Special Negro Section" begun in 1932 by the first black librarian in the Chicago Public Library system has evolved in the Vivian G. Harsh Research Collection of Afro-American History & Literature, one of the largest collections of African American historical documents in the nation. But the book also explores the failures and disappointments, which can be instructive to contemporary activists.
One of the most fascinating chapters for me was "Women's Activism in Public Housing" which explores the neglected topic of women's involvement in tenant associations and other public housing groups.
This is a groundbreaking book, but as the author asserts, there is much more research yet to be done. In aid of this she suggests dissertation topics and provides two resources in the appendices: an annotated list of more than 200 women whose names are found in local black newspapers, archives and bibliographic sources, and a list of Chicago Black Southside community organizations and their addresses, 1930-1960.
I'd recommend this engaging and highly readable book to those interested in Chicago history in general, and Women's or African American studies in particular. AfroAmericanHeritagedotcomThe Chicago Black Renaissance and Women's Activism Overview

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