Music and Gender: Perspectives from the Mediterranean (Chicago Studies in Ethnomusicology) Review

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Music and Gender: Perspectives from the Mediterranean (Chicago Studies in Ethnomusicology) ReviewThis compilation of case studies from different regions around the Mediterranean is packed with concise, but extremely well-written and informative, analyses of the specific interactions between genders and social spheres in the context of the playing/performing of music and/or dance. Excellent resource for anyone interested in issues of cultural performance, gender identity, and music and dance in North Africa, the Middle East, the Balkans, and southern Europe.
What's more, the various authors all read remarkably smoothly and this makes the information in ths volume all the more accessible. 2 very enthusiastic thumbs up!Music and Gender: Perspectives from the Mediterranean (Chicago Studies in Ethnomusicology) Overview

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The Chicago Black Renaissance and Women's Activism Review

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The Chicago Black Renaissance and Women's Activism ReviewThe Chicago Black Renaissance was a revitalization of black expressive arts and community activism rooted in a pan-African identity which blossomed during the 1930's to the 1960's in Chicago's "Black Belt" - or, as residents preferred, "Bronzeville." It was also a tumultuous period in which longtime urban black Chicagoans were faced with assimilating thousands of rural migrants from the South.
The lens through which Knupfer examines the Renaissance is women's activism: as club members and individuals, as reformers of schools and libraries, builders of art and community centers, ministers, writers, politicians and more. They were highly successful in some areas; for example, the nation's oldest WPA arts center, South Side Community Art Center, continues to offer classes and host exhibitions, while the "Special Negro Section" begun in 1932 by the first black librarian in the Chicago Public Library system has evolved in the Vivian G. Harsh Research Collection of Afro-American History & Literature, one of the largest collections of African American historical documents in the nation. But the book also explores the failures and disappointments, which can be instructive to contemporary activists.
One of the most fascinating chapters for me was "Women's Activism in Public Housing" which explores the neglected topic of women's involvement in tenant associations and other public housing groups.
This is a groundbreaking book, but as the author asserts, there is much more research yet to be done. In aid of this she suggests dissertation topics and provides two resources in the appendices: an annotated list of more than 200 women whose names are found in local black newspapers, archives and bibliographic sources, and a list of Chicago Black Southside community organizations and their addresses, 1930-1960.
I'd recommend this engaging and highly readable book to those interested in Chicago history in general, and Women's or African American studies in particular. AfroAmericanHeritagedotcomThe Chicago Black Renaissance and Women's Activism Overview

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