Showing posts with label art history. Show all posts
Showing posts with label art history. Show all posts

Max Ernst: Dada and the Dawn of Surrealism (Art) Review

Max Ernst: Dada and the Dawn of Surrealism (Art)
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Max Ernst: Dada and the Dawn of Surrealism (Art) ReviewFor all those who want to learn about the position of Max Ernst within Surrealism this is an essential book. Scholarly essays by Werner Spies (arguably the foremost authority on Max Ernst) and William Camfield, who writes in fascinating detail about the transition period when the artist moved from Dada into Surrealism. The period comes alive with rare photographs and anecdotes about the struggles of Max Ernst to survive in Germany after the first world war and his efforts to reach Paris, the promised land. Max Ernst, a true pioneer of many of the art techniques taught nowadays in artschools, such as frottage and collage, is celebrated in this book with not only almost 200 colour plates of many of his masterpieces, but also many lesser known works which show how he constructed his collages. Added to this are inumerable black and white illustrations of the sources for many of his most famous paintings. As Max Ernst never wrote an autobiography,a book such as this is a must for all those who desire to know something more about the artist who is quoted on page 28 as saying "A painter is lost when he finds himself." An artist difficult to know, but this book goes a long way in bridging that gap.Max Ernst: Dada and the Dawn of Surrealism (Art) Overview

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Playing with Pictures: The Art of Victorian Photocollage (Art Institute of Chicago) Review

Playing with Pictures: The Art of Victorian Photocollage (Art Institute of Chicago)
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Playing with Pictures: The Art of Victorian Photocollage (Art Institute of Chicago) ReviewI really enjoyed this exhibit at the Art Institute of Chicago. The creative things that the Victorians did with the cartes de visite that they collected are interesting, amusing, and sometimes surprising. The women (and men) that created these albums took blank pages and painted a backdrop or design to insert the photographs. They have unique themes, one of my favorites being a spider web. There are several juxtapositions that seem almost bizarre (peoples faces on duck bodies). This was the way these photographs were kept and arranged to show and to share with friends. Another of my favorite pages is one that contains a poem... basically stating that if you view this album you should know that your picture will be added to it. I find photocollage to be almost an ancestor to the modern scrapbooking trend, but so much better in that the backgrounds were all hand painted.Playing with Pictures: The Art of Victorian Photocollage (Art Institute of Chicago) Overview

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Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago Review

Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago
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Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago ReviewThis wonderful book showcases one of the world's best collections of 20th. century art. Of special fascination are the works of American artist Joseph Cornell. The Bergmans are the pre-eminent Cornell collectors as the breadth and unsurpassed quality of his work showcased herein demonstrates. The photographs are exquisitely rendered and Ades' commentary is incisive. This book stands as a worthy complement to the collection housed in the Art Institute of ChicagoSurrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago Overview

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The Age of French Impressionism: Masterpieces from the Art Institute of Chicago Review

The Age of French Impressionism: Masterpieces from the Art Institute of Chicago
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The Age of French Impressionism: Masterpieces from the Art Institute of Chicago Review"Moreover the word of the LORD came to me, saying, 'Jeremiah, what do you see?'
And I said, 'I see a branch of an almond tree.'" -- Jeremiah 1:11 (NKJV)
The Art Institute of Chicago was the first museum that I ever had the pleasure to visit that had a deep collection in 19th century French art, especially Impressionism and Post-Impressionism. I was in rapture while in the museum and for days afterwards. While in college, I had the immense joy of working near the Art Institute for a summer so that I could even stop by during my lunches. My fascination grew. Since then, no trip to Chicago is ever planned without trying to include a visit to the Art Institute.
Until now, I had no powerful way to refresh and to expand my recollection of these marvelous works when not in Chicago. In this volume, I was delighted to learn more about the collection's formation, to find outstanding reproductions (including many full-page magnifications of key details), and lots of commentaries that go well beyond the usual "chat" label or recorded observations. In particular, the painting-related essays are excellent at expanding the viewer's ability to "see" added aspects of these marvelous works. I felt that I had never enjoyed a finer visit to the Art Institute to enjoy so many of my favorite works. The treatments of Seurat and Monet are especially outstanding.
Well done!!The Age of French Impressionism: Masterpieces from the Art Institute of Chicago Overview

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