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Jim Nutt: Coming Into Character (Museum of Contemporary Art, Chicago) ReviewI enjoyed this book immensely, but I may be biased because I've been a fan of Nutt, Gladys Nilsson, Ed Paschke and the rest of the Chicago Imagists for a long time. Their work often focuses on grotesque and carnival like imagery, and will not appeal to those who believe that art is meant to celebrate beauty and noble aspirations. Devotees of conceptual work or Greenberg's formalist theories may also find much in Nutt's early work to offend them. The late portrait series may intrigue the latter two groups in that the work is serial, raises identity issues and is visually elegant (in an off-beat, goofy way).The essays by Warren, Gross and Worth take different approaches to explaining Nutt's work. One focuses on the development of Nutt's career; the second ties his work to art historical precedents; the third focuses on the portraits of women series that has been the sole focus of the artist's work since the mid to late 70s. The reproductions are excellent and the layout and design of the book is inviting. I keep going back to this book and finding more things to enjoy.Jim Nutt: Coming Into Character (Museum of Contemporary Art, Chicago) Overview
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